You are hereby cordially invited to attend a royal command performance in the presence of Her Majesty The Queen, to be held this day at the Hale Centre Theatre.

Queen Victoria loved attending the theatre. She would arrive fully adorned complete with diamond tiara, and after an entrance met with rapturous applause and a rousing rendition of ‘God save the Queen’, she would take her place in the velvet-draped royal box. 

Performances which featured evil villains, virtuous heroines, and intricate plots were the most popular as they were a rich and varied blend of melodrama, music, singing, dancing, spectacle, and morale.

If the queen enjoyed the performance she could be seen engaged and delighted. If she was less than amused, she would leave the theatre early, but always to applause and a rendition of ‘Rule Britannia’.

And rule she did. 

Victoria was Queen of the British Empire from 1837 to the time of her death in 1901. This unprecedented 64-year period is often remembered as a time of great scientific, social, cultural, and technological advances, as well as one of great global change. The worldwide influence of Great Britain during this period was so historically impactful, that it is still to this day referred to as the Victorian Age.  

The Industrial Revolution, which had begun in the previous century, came to full fruition during Victoria’s reign, ushering in a new age of discovery and innovation. 

As steam-powered factories could produce items more quickly and efficiently than ever before, Britain became the world leader in iron and steel production and mechanized innovation. Steam power revolutionized travel with the invention of steamboats and steamtrains. The invention of photography, bicycles, gas lighting, steam-powered electricity, antiseptics used in the prevention of bacterial infection, and even the first automobile ...all appeared before the turn of the century during Victoria's reign.

The Victorian age also sparked a great cultural revolution. Enduring literary voices emerged such as Charles Dickens, the Brontë sisters, Lewis Carroll, Rudyard Kipling, and Robert Louis Stevenson, to name a few. 

The 1870’s saw the first collaboration of Gilbert and Sullivan, who’s popular operettas married classical music forms with comic satire and music hall wordplay. Their works such as HMS Pinafore, The Mikado, and Pirates of Penzance are still produced by theatres worldwide. 

While Victorian industry brought wondrous advancements, these new technologies also increased the possibility for Imperial expansion and colonization on an industrial scale. Annexing countries on every continent (often by means of military occupation) Britain grew incalculably wealthy harvesting the natural, cultural, and human resources of its colonies.

The British expansion was not always accepted as colonization by the occupied countries but instead viewed as more of a ‘conquering’. Rather than acclimating to the local customs, more often the British would superimpose their architecture, language, and culture, transforming these areas into islands of English centricity. Though these countries did receive benefits from industrial advancements, trade, and improved infrastructure, those often came at the cost of independence and loss of autonomous national identity. For many of the occupied populations, it seemed that Britain was determined to remake the world in its own image.

At its height, the British Empire covered about one-fifth of the Earth’s land mass, and Queen Victoria ruled a quarter of the world’s population.

For better or worse, it was undeniable that the Victorian influence was changing the world. 

As Britain’s global reach increased, many Victorians became increasingly curious about the newly accessible world around them. The extension of the railroads meant that travel was faster, safer, and more affordable than it had ever been. Ever-advancing technological innovations such as the Suez Canal and the transcontinental railroad opened the possibility of rapid global circumnavigation. It meant that for the first time, not just explorers, but anyone with an imagination, a deep enough purse, and a hardy sense of adventure could travel around the world. 

In 1872, Thomas Cook organized the first around-the-world tourist trip, leaving on 20 September 1872 and returning seven months later. The journey was described in a series of letters published in 1873 as Letter from the Sea and from Foreign Lands, Descriptive of a tour Round the World. 

Also, in 1872 American William Perry Fogg traveled the world, describing his tour in a series of letters to The Cleveland Leader newspaper entitled, Round the World: Letters from Japan, China, India, and Egypt 

French novelist Jules Verne published Around The World In 80 Days in November of 1872. Verne was no doubt inspired by his adventuring real-world contemporaries. Scholars have pointed out similarities between Verne's account and Cook's letters. Verne even rather conspicuously named his fictional protagonist Fogg.  

The story first appeared in the French periodical Les Temps in 45 daily installments, with its final episode being timed to synchronize the fictional December 21st  race deadline with the real-world calendar. Some readers became so invested in the story that they believed the fictional accounts to be actual current events, and placed bets on the outcome of the race. 

 Around The World In 80 Days became one of Jules Verne’s most acclaimed works. Since its publication, it has been translated into multiple languages, adapted into countless stage plays, films, and radio productions. It has spawned sequel novels and even reality television programs. It has also inspired countless adventurers to attempt the same challenge to race around the world in 80 days. 

In our ‘command performance’ of Around The World In 80 Days, we playfully embrace the late Victorian forms of melodrama, satire, spectacle, song and dance, villains and virtuous heroines…and of course…entertainment. However, at the center of this retelling is a decidedly un-Victorian morale: When our very British racing hero finally surrenders to the conquering power of love, only then can he truly experience the beauty of the world that surrounds him…as it is and always has been; wondrous! 

If Queen Victoria were here today, I hope she would stay for Act Two.

 — Dave Tinney

A familiar face to our HCT audiences; Kelton’s HCT credits include Titanic The Musical (Thomas Andrews), Treasure Island (Dr. Livesy), The Secret Garden (Dr. Neville Craven), A Tale of Two Cities (Charles Darnay), Murder on the Orient Express (Samuel Ratchett/James Arbuthnot), Cinderella (Jean-Michelle), and The Scarlet Pimpernel. 

Will is honored to be back on the HCT stage. Past stage credits include: The Unsinkable Molly Brown and School of Rock with Hale Centre Theatre and Once, Man with the Pointed Toes, Sense and Sensibility, Emma, The 39 Steps, and Over the River and Through the Woods with Hale Center Theater Orem. Will graduated from UVU with his Bachelor of Arts in Theatre Arts and works with HCTO as a carpenter/shop hand in their scenic shop.

Ryan Simmons returns to the Centre Stage after taking time off to direct our productions of Hello, Dolly!, Disney’s The Little Mermaid, One for the Pot, and The Play That Goes Wrong. Ryan's HCT stage credits include The Cat in The Hat (Seussical The Musical), Mr. Wormwood (Matilda The Musical), Lumiere (Disney’s Beauty and the Beast), and the titular role in The Nerd in both our 2016 and 2006 productions. 

Zac was last seen as The Bishop of Lax in our recent production of See How They Run. Favorite HCT credits include: Lucky Stiff (Body of Anthony Hendon), Singin’ in the Rain (R. F. Simpson), Chitty Chitty Bang Bang (Grandpa Potts), Bright Star (Daddy Murphy), Wait Until Dark (Sergeant Carlino), The Music Man (Mayor Shinn), Disney’s Beauty and the Beast (Cogsworth), Peter and the Starcatcher (Alf), and She Loves Me (Mr. Marachek). 

Some of BJ’s favorite credits include: HCT - Treasure Island, The Mousetrap, Murder on the Orient Express, Baz Luhrmann’s Strictly Ballroom The Musical, Cinderella, Phantom, and The Wizard of Oz; Weber State University - Will Rogers Follies, Sleepy Hollow The Musical, The Lion in Winter, Tartuffe, Assassins, and JingleJacks; The Grand Theatre - Forever Plaid and First Date; CenterPoint Legacy Theatre - Shrek The Musical and Into the Woods. 

Thrilled to be back on the Hale Centre Theatre Stage after her appearance in our 2021 production of The Secret Garden. Amishi is an accomplished vocalist who lends her talents to A&A Bollypop - mashup covers of popular Bollywood and American Pop songs, which can be found on YouTube. She is also a Sophomore at the University of Utah where she is studying Pre Med and Business. She works as an EMT. 

Making her HCT debut! Niki’s favorite stage credits include: Hello, Dolly! (Ernestina) with Pioneer Theatre; Harvey (Myrtle Mae) at The Grand Theatre; The 25th Annual Putnam County Spelling Bee (Marcy Park) at Good Theatre Company; and SLACabaret 2022 (Trudy) at Salt Lake Acting Company. Niki is also a member of the HCT Story Weavers. Niki is a graduate of the University of Utah Musical Theatre Program. 

Making his HCT debut! Ammar’s favorite credits include: The Winter’s Tale (Polixenes) with New World Shakespeare Company; Hamlet (Osric/Player King) with Parker Theatre; and Fortinbras (Claudius) in the SLCC Black Box Theatre. He holds a BA in Law and an A.S. in Theatre Arts and works at Catholic Community Services. “Love life…Life will love you.” 

Bryan is no stranger to the HCT Stage. HCT credits include Lucky Stiff, One for the Pot, The Play That Goes Wrong, Million Dollar Quartet, Baz Luhrmann’s Strictly Ballroom The Musical, Wait Until Dark, Cash on Delivery!, The Nerd, Is He Dead?, The Foreigner, and Beau Jest. Other credits include: HCTO - A Gentleman’s Guide to Love and Murder, Sense and Sensibility, and Million Dollar Quartet; Desert Star Playhouse - playwright for Star Wards, Hungry Games, and Freezin’. 

Making his HCT debut! Jacob’s favorite credits include The Drowsy Chaperone and A Gentleman's Guide to Love and Murder at HCTO and Oklahoma! at Sundance Summer Theatre. He graduated this Spring with his BFA in Musical Theatre from Utah Valley University.

Excited to be back on the HCT Stage! Josh was most recently seen in Titanic: The Musical. Other favorite credits include: Hale Centre Theatre - Lucky Stiff, The Light in the Piazza, Les Misérables and Disney’s Tarzan; Ziegfeld Theatre - Bright Star and Comedy of Errors (Director); Noorda Center for the Arts - Fly More Than You Fall; Utah Shakespeare Festival - Guys & Dolls, Disney’s Mary Poppins, Shakespeare in Love, and The Cocoanuts; as well as productions at The Hive Collaborative, Sacramento Theatre Company, and Pickleville Playhouse. Josh holds a Bachelor's in Fine Arts with an emphasis in Classical Acting from Southern Utah University.

Ecstatic to be back on the HCT stage! Angel’s favorite credits include Hello, Dolly! and Titanic: The Musical with HCT; Grease: The Musical at The Ziegfeld Theater; The Rocky Horror Show at The Egyptian Theatre; and the 2016 Jimmy Awards at The Minskoff Theater (NYC). Angel is an alumnus of The American Academy of Dramatic Arts and works as an actor. “Whether you think you can or you think you cannot, you are right.” 

Angel is thrilled to be back on the HCT stage. He was most recently seen in our production of Treasure Island. Other favorite stage credits include: The Jungle Book, Twelfth Night, and Sweeney Todd. “Care less, you’ll be less stressed” 

Kaden is excited to be back on the HCT stage after his most recent appearance was in Titanic: The Musical. Other notable credits include: The Unsinkable Molly Brown, Treasure Island, Les Misérables, Phantom, A Christmas Carol with HCT; Musical of Musicals with The Grand; Les Misérables with HCTO, along with the 2014 season with Playmill Theatre. He currently works at Cycle Gear. “Forth! And fear no darkness!” 

Making his HCT debut! Alan joins our production with an extensive background in aerial work, his many credits include Fighter (aerial chains) at Capitol Theater, duo straps at Lands Rocks Music Festival, and straps at Aeris Aerial Arts. He holds a BA in Spanish as well as a Doctorate in Physical Therapy from the University of Utah, where he is currently an MBA candidate. 

Dave is delighted to be back on the HCT stage after recently performing in our production of Disney’s The Little Mermaid. Other favorite credits include: HCT - SIngin’ in the Rain, Chitty Chitty Bang Bang, Guys & Dolls, Disney’s Tarzan, Mary Poppins, and Phantom; Hopebox Theatre - Bright Star; Mountain West Ballet - Alice in Wonderland, A Midsummer Night’s Dream, and Copelia; Utah Opera (Capitol Theater) - Yenufa; Ballet West (Capitol Theater) - The Nutcracker and Swan Lake; and 2002 Salt Lake Olympic Winter Games - Opening and Closing Ceremonies. 

Jordan was most recently seen on our Centre Stage in our recent production of Disney’s The Little Mermaid. Other HCT credits include: Disney’s Tarzan (Terk), The Wizard of Oz (Scarecrow), Newsies (Romeo), AIDA, and Joseph...Dreamcoat (Gad). When not flying above our stage, Jordan works as an RN at St. Marks Hospital. “Hayden and Avery, I could search the whole globe and not find a place I’d rather be than with you.”

Making his HCT debut! Lance is joining our production with an extensive background in aerialism. His credits include The House of Dancing Water at Dragone, Chimelong International Circus, and Cirque de la Mer at SeaWorld, San Diego. He is the co-owner and director of Aerobatics Circus Center in Bluffdale, Utah, Utah’s largest youth circus training center. 

Thrilled to be back above our Centre Stage; Previous HCT credits for Jessica include: Disney's The Little Mermaid, Disney’s Tarzan, Seussical The Musical, The Wizard of Oz, and AIDA. “Thank you to my coach, Ramsi, and all of the supportive friends and family members who have helped me along the way.”

Making her HCT debut! Mandi joins our production with an extensive resume including: Thriller with Odyssey Dance Company and Tuacahn. When not flying high, she works as a hairstylist and aerial instructor. “I fly because it releases my mind from the tyranny of petty things.”

Inspired by our 2015 production of Disney’s The Little Mermaid, Olivia began her aerial arts journey with Ramsi and her studio, Defying Gravity Utah. Now performing on the HCT stage is truly a full-circle experience. Olivia’s HCT credits include last season’s production of Disney’s The Little Mermaid as well Disney’s Tarzan and Seussical The Musical. “Thank you to Ramsi, Defying Gravity Utah, and my supportive friends and family for your help along the way. I am so grateful!” 

Jessica is thrilled to be back on the Hale Centre Stage after her most recent appearance in last season’s Disney’s The Little Mermaid. Her other HCT credits include Disney’s Tarzan and Seussical The Musical. Jessica and her aerial partner Samantha Nielsen won the 2022 Aerialympics and they have enjoyed performing their routine at a Utah Jazz game. Jessica wants to thank her husband and her 3 amazing kids for supporting her aerialist dreams.

MaKayla is thrilled to be back on the HCT stage after her most recent appearance in our production of Disney’s The Little Mermaid. She has performed across the Salt Lake Valley with Odyssey Dance Theatre in Thriller, 90&9’s Fighter at Capitol Theatre, and numerous performances at Tuacahn Amphitheater. “Come on, dance with me. The earth is spinning, we can’t just stand on it.” - Dino Ahmetovic 

Making her HCT debut! Alyssa comes to us with an extensive resume including performances during the Utah Jazz Halftime, at the Urban Arts Festival (SLC), at the Busker Fest (SLC), in Cirque Dream Story (South Dakota), at the State Capitol (SLC), at the Grand America Hotel (SLC), in BallDrop, Catastrophe, and Bones with VikoCjDane Productions, as well as corporate events for Crumbl Cookies, Traeger Grills, and events in Las Vegas. 

Jane was most recently seen in our production of Disney’s The Little Mermaid. Other HCT credits include: Disney’s Tarzan, The Wizard of Oz, and Seussical The Musical. She has a BA in Dance from BYU Idaho and teaches and coaches dance at Herriman High School. She began her aerial training in 2018 with Ramsi Nia Stoker of Defying Gravity. “Why worry about the things you can't do? Start enjoying the things you can do." 

Samantha is honored to be a part of our production of Around the World in 80 Days. Her favorite stage credits include: Disney’s The Little Mermaid and AIDA with HCT, Utah Jazz Halftime performances, Eclipse 6 Christmas Concert, The Mayan Adventure, and Chimelong International Circus. She is the co-owner and director of Aerobatics Circus Center. “May all your days be circus days! And a special shoutout to my kids: Jade, Paisley, and Conner!” 

Genesis’ many credits include: Hale Centre Theatre - Charwoman/Mrs. Fezziwig (A Christmas Carol), and General Cartwright (Guys & Dolls). Her favorite roles include Mrs. Lovett (Sweeney Todd), Paulina (A Winter’s Tale), Puck (A Midsummer Night’s Dream), The Chairman (The Mystery of Edwin Drood), and Justice Charlier (Rock of Ages). 

A familiar face on the HCT stage, Julie’s favorite credits include HCT - Hello, Dolly!, The Unsinkable Molly Brown, Singin’ in the Rain, A Christmas Carol (multiple seasons), The Secret Garden, Bright Star, Tuck Everlasting, The Heart of Robin Hood, Seven Brides for Seven Brothers, Big Fish, Fiddler on the Roof, The Scarlet Pimpernel, and The Pirate Queen; SLAC - Saturday’s Voyeur 2019; Grand Theatre - Into the Woods and The Full Monty; CPT - Anything Goes, The Secret Garden, and The Drowsy Chaperone. Julie holds a BA in Musical Theatre from Weber State University and is currently a pianist for the Theatre Department at the U of U.

Returning to the Centre Stage, Daron was previously seen in our 2021 production of The Secret Garden. He earned his B.S. in business Information Technology and Education and MBA from Utah State University and works for Health Catalyst as a Senior Technical Director. “Do not wait for the perfect time and place to enter, for you are already onstage.”

For Hale Centre Theatre, Dave has previously directed Hans Christian Andersen in New York, Titanic The Musical, The Unsinkable Molly Brown, Singin’ in the Rain, The Light in the Piazza, Treasure Island, Chitty Chitty Bang, The Secret Garden, Guys and Dolls, Les Misérables, A Tale of Two Cities, Disney’s Tarzan, Disney’s Mary Poppins, Bright Star, Seussical, The Addams Family, Cinderella, Matilda The Musical, An American in Paris, The Wizard of Oz, Wait Until Dark, Newsies, The Hunchback of Notre Dame, AIDA, The Heart of Robin Hood, Seven Brides for Seven Brothers, Sister Act, The Pirate Queen, Peter and the Starcatcher, She Loves Me, Hello, Dolly!, The Drowsy Chaperone, Dirty Rotten Scoundrels, Zorro the Musical, and Oliver!,. 

Originally from Utah, Lindsey relocated to the East Coast after graduating from the University of Utah with her BFA in Modern Dance. She spent 5 years as a Radio City Rockette where she toured to over 50 cities and kicked at Radio City Music Hall. At Walt Disney World, she was a choreographer and teaching artist for Disney Performing Arts, and a performer in Beauty and the Beast Live On Stage as well as the Halloween show Hocus Pocus Villain Spelltacular. 

Ramsi’s extensive background as a competitive gymnast and professional dancer led her to the circus. Inspired as a youth by Cirque du Soleil, she added aerial arts to her repertoire over twenty years ago. Her talents have been seen around the world, performing in theatrical productions, televised awards shows, sports arenas, theme parks, conventions, music videos, software apps, fitness videos, cruise ships, and commercials. She is a member of the nation’s premier acrobatic troupe – Anti-Gravity. 

Derek is celebrating his 20th anniversary with HCT - he first appeared on our stage in The Music Man in 2002, where he met his wife, Keolani. The Unsinkable Molly Brown is Derek’s 35th production with Hale Centre Theatre. Some favorite credits include: Disney’s Tarzan (2020 and 2013), She Loves Me, The Wedding Singer, Les Miserables (2021 and 2014), Zorro: The Musical, The Heart of Robin Hood, and Oklahoma!. Other recent credits include: Guys & Dolls and Cinderella. “Behind every Father of 4 who performs is an amazing wife running things at home flawlessly. 

Rob graduated with a degree in music dance theater from BYU and has performed and taught regionally in Utah, Arizona, Nevada, and California. He received an MFA in directing from the University of Idaho. He teaches music theatre at BYU and is a sought-after voice teacher. Credits include: Hans Christian Andersen in New York, Treasure Island, Chitty Chitty Bang Bang, Million Dollar Quartet, The Addams Family, Matilda The Musical, and The Pirate Queen with Hale Centre Theatre; Cinderella and Footloose with Sundance Summer Theatre; Into The Woods, Man of La Mancha, and Peter Pan with HCTO; and Cabaret, Anything Goes, 9 to 5 The Musical, and Letters To Myself with UVU. He was recognized by the Kennedy Center American College Theater Festival for Outstanding Achievement in music direction for his work on Next to Normal at UVU. “Love to Courtney and Sabrina.”

Rob is a composer and producer of projects for film, theater and the concert stage. He is the author of a handful of stage musicals, including "Blackbeard", "The Price of Freedom", and "12 Princesses". He is the co-creator and producer of the group Cinematic Pop, arranging tracks featured everywhere from "America's Got Talent" to the BBC's "Strictly Come Dancing" to the Winter Olympics. Rob has also composed several sacred music works including "Lamb of God", which was originally recorded by the London Symphony Orchestra and Spire Chorus, and is regularly performed around the world. In 2021, Rob produced a concert film of the work that was released in movie theaters and premiered in the top 10 films in the U.S.

Jess is thrilled to be at the helm of Around the World in 80 Days. Her twenty-plus-year career includes a wide variety of productions, from intimate one-man dramas with provocative and social impact to large-scale spectacles. Large musicals are probably her favorite genre to stage manage, but right now, she really enjoys working on a diverse range of projects throughout the year thanks to the opportunities provided by working as an in-house Production Stage Manager at Hale Centre Theatre. 

Kacey is the Creative Director and Resident Scenic Designer at Hale Centre Theatre. He has designed over 100 productions at HCT and loves the challenge of working on our unique stages. Kacey oversaw many of the design aspects of the new building in Sandy and feels fortunate to be able to design on the stages that he helped create. His designs for Les Misérables, Tarzan, The Pirate Queen, A Tale of Two Cities, The Little Mermaid, Matilda, and Tuck Everlasting are among his favorites. He graduated from Utah State University with a BFA in both graphic design and scenic design. When not pursuing new inspiration or shiny objects, Kacey enjoys traveling, watching design and baking competitions and simply being with his family. His family has been crucial in supporting and assisting him throughout his design career. “More is more and less is a bore!” Iris Apfel   

Previous HCT Costume Design credits include Hello, Dolly!, Disney’s The Little Mermaid, The Unsinkable Molly Brown,The Light in the Piazza, One for the Pot, Chitty Chitty Bang Bang, The Secret Garden, Les Misérables, A Tale of Two Cities, Murder on the Orient Express, The Addams Family, An American In Paris, Tuck Everlasting, and My Son Pinocchio, along with Joseph...Dreamcoat in 2017. She holds a BA from Hainan University in Fashion and Leather Products Design, and an MFA from Utah State University in Costume Design. Joy also designed for UST’s Candida, and was OLR’s Costume Designer for Game of Love and Chance. 

Jaron has been the resident Lighting Designer for the oldest operating summer theater in the nation: The Cape Playhouse, where his credits include Little Shop of Horrors, The Importance of Being Earnest, Deathtrap, Clue, Altar Boyz, Steel Magnolias, Art, Red, The Foreigner, Murder for Two. 

Michelle has always loved telling stories. Being Native Hawaiian has helped her gain experience in events from a young age. She decided to dive into finding out more about sound and how it functions. This path led her to her MFA in Sound for the Performing Arts from Purdue University. 

Michelle is extremely passionate about details, research, beautiful and interesting “things,” anything to do with flowers and opening packages. She recently designed her 103rd with our production of Hello, Dolly!. Some of her other favorite designs have included The Drowsy Chaperone, Over The River..., Les Misérables, Tuck Everlasting, My Fair Lady, AIDA, A Tale of Two Cities, Cinderella, Silent Sky, and She Loves Me. 

Some of Candice’s favorite hair and makeup designs for HCT include: Steel Magnolias, Disney’s Mary Poppins, Always...Patsy Cline, and Disney’s The Little Mermaid. She is a graduate of Paul Mitchell the School, where she has been an instructor since 2008. She also works as a resident designer and cosmetologist for the HCT Hair and Makeup Department. “I would like to thank Trisha, Krissa, and Marneé for helping me grow as an Artist and Designer. I also want to thank Adam, Cordelia, and Gabriella for being so supportive of my dream to work in theatre. Kiss Kiss!” 

As Projections Designer, Madeline’s work was recently seen in productions of Light in the Piazza, Silent Sky, Hans Christian Andersen in New York, Unsinkable Molly Brown, Daddy Long Legs, and more at HCT. She has also been able to design Scenery for HCT for Silent Sky, Daddy Long Legs, Murder on the Orient Express; Oklahoma! (Sundance); Fire! anad Singing to the Brine Shrimp (Plan B Theatre). Madeline earned a Bachelor of Fine Arts in Scenic Design from Utah Valley University. 

Nick is thrilled to return to HCT and join the amazing production team responsible for bringing this production to life! Recent HCT credits include: Hello Dolly!, Titanic the Musical, Disney’s the Little Mermaid, The Unsinkable Molly Brown, Singin’ in the Rain, School of Rock, Treasure Island, A Christmas Carol, Chitty Chitty Bang Bang, The Secret Garden, and Guys & Dolls. 

A noted dialect coach, Adrianne is honored that Around the World in 80 Days could be her first production with Hale Centre Theatre. She has also coached dialects for Pioneer Theatre Company (Murder On The Orient Express, Charles III, Cracula, The Heiress, and My Fair Lady). She has served as dialect, voice, and text coach for American Players Theatre for the last 5 seasons (Once Upon A Bridge, Stones in His Pocket, An Improbable Fiction, A Doll’s House, and Our Good Company). Utah Shakespeare Festival (Dracula, Two Gentlemen of Verona, Sherlock Holmes, and Boeing, Boeing), Salt Lake Acting Company (over 20 productions including The Cake and Hand To God), as well as Tuachan Center for the Arts (Mary Poppin’s, The Count of Monte Cristo and Shrek) and The Lyric Repertory Company. Film and Television credits include” ‘The Corps’ with Netflix, ‘Galyntine’ with AMC, and the film ‘The Saving of Sarah Cain’. Adrianne is a member of the Voice and Speech Trainers Association.